3-6pm:
USER: "Nina Isabelle"
MODE OF ENGAGEMENT: Collaboration between Nina Isabelle and PPL
Location 3C/C3: AFFECTIONATELY TO WHAT AFFECT AFFECTIVELY?
***therapeutic temporal experiments***By Appointment Only***

8pm:
USER: "samuel"
MODE OF ENGAGEMENT: samuel directs/operates PPL
Location 3B/B3: HOW SO AFFECTIONATELY/AFFECTIVELY HOW SO?

9:30pm:
USER: "Geraldo"
MODE OF ENGAGEMENT: Geraldo participates in PPL operation
Location 3A/A3: HOW AFFECTIONATELY/AFFECTIVELY HOW?
***8-song set by one-time-only punk band "Grout Pomade" (special thanks to Polina)***

SCORES FOR SCORES:

"Nina Isabelle:
C: Operating to what affect?
affectionately 60%

This is an inquiry into cause
Intending and interpreting affected matters based on intention
Using self-defining and identifying methodologies
First, assemble some matter to interpret

"samuel"
B: How so operating?
affectionately 70%

This inquiry is en-sembling realities
Generating an operation affecting each other
By developing methodologies for substantiation of affects
First, separate or distinguish bodies from one another via spatial, temporal, or other situational/conditional boundary

"Geraldo"
A: How operating?
affectionately 50%

This inquiry is dis-sembling realities
Generating an operation which controls
Developing anti-functional methodologies
First, ensembling a cause-effect pattern

+++

As part of opera-of-operations "Embarrassed of the Whole" Phase II:https://www.facebook.com/events/1705386496438467/
http://www.panoplylab.org/eotw

In order to begin, conditions and elements of so-called nature must be prepared, like a piano, timepiece, or pie, to fulfil the needs of action+connection. Some call this "theatricality," others "therapy," here we refer to the preparation as repair:

7-8pm: CLARA DIAMOND AND NINA ISABELLE: 'Q-Informaticus'

8pm-11:
MIAO JIAXIN
SOPHIA MAK
HONEY MCMONEY

http://www.performancyforum.net/